Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.

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Thus a double reed quartet of chorql oboes, english horn and bassoon will look like this: This section is in E major and travels up to high B-natural and down to pedal B-flat before settling on a long low E. The set of numbers after the dash represent the Brass. Titles with no bracketed numbers are assumed to use “Standard Instrumentation.

Vining has appeared as a soloist and clinician nationwide and as a guest artist at cyoral conferences.

Dutilleux Chorale, Cadence & Fugato

Example 3 – MacKenzie: Instruments shown in parenthesis are optional and may be omitted. These numbers tell you how many of each instrument are in the ensemble. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. Multiples, if any, are not shown in this system. Example 2 – Jones: Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups.

Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba. Grade 6 – Advanced Price: Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation. The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass.

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The bracketed numbers tell you the precise instrumentation of the ensemble. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual Percussion is abbreviated following the brass.

Choral, Cadence et Fugato. Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming. Sometimes strings are simply listed as “str,” which means strings. In the third example, we have a rather extreme use of the system.

Choral, Cadence et Fugato by Henri Dutellieux: A Review

Example 1 – Beethoven: In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. Note the inclusion of the saxes after bassoon for this band work.

Alphonse Leduc,piano score and solo part. The bracketed numbers tell you how many of each instrument are in the ensemble.

Choral, Cadence et Fugato. For orchestral music, saxes are at the end see Saxophones below. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE.

The system used above is standard in the orchestra music field. Choral, Cadence et Fugato is a beautiful work for the advanced player.

The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn. This is standard orchestral nomenclature. There is no low brass. David Vining, assistant professor of trombone at the University of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages.


The accompaniment foreshadows the fugue theme between fugatp phrase and the trombonist is provided ample opportunity to put a personal cadende on each phrase.

The fugue cxdence, first stated in the low register of the piano, is angular and rhythmic. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. After some development of these ideas the fugue theme is stated in augmentation in the piano, over which the trombone plays a virtuosic fanfare figure.

It consists of the forces Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass.

The fanfare proceeds into the high register where the piece concludes on fadence fortissimo high B-natural with an E major chord in the piano. It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist.

Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:. Other Required and Solo parts follow the strings:.